What is there? Is the frame full? What fills it?
This short scene has a mix of medium and close-angle shots, primarily eye-level, with a few over-the-shoulder shots. The frame is relatively full in most shots. The frame consists of Marie Antoinette and her friend and cuts to Count Fersen a few times, who speaks to another woman.
What do you imagine audiences are meant to feel about this scene?
Audiences are meant to get a sense of rebellion from the Dauphine, as well as ponder the relationship between Marie Antoinette and Count Fersen. This scene introduces the character who ends up secretly being with Marie Antoinette. There is also a sense of excitement coming from this scene, as Marie Antoinette interacts with someone else as an equal and not a member of royalty.
What people, objects, wardrobe elements, props, background actors, animals, and general scene?
We see Marie Antoinette speaking to a friend while exchanging glances back and forth with a man we learn to be Count Fersen. Everyone is wearing an elaborate mask, except Marie Antoinette (she is wearing a sheer mask only over her eyes) and Count Fersen(he is not wearing any sort of mask). Marie Antoinette has a very tall and elaborate hairstyle, There are a lot of black, gold, and bright colors inside the large ballroom. All, while "Hong Kong Garden" by Siouxsie and the Banshees is playing in the ballroom.
How is Coppola using these choices about shots to communicate a unified vision so that the scene works?
Coppola uses these shots to tell the audience a story. The back-and-forth eye-level shots of Marie Antoinette and Count Fersen glancing at each other create a sense of interest in each other. It allows the audience to know what they were thinking without any dialogue between the two of them.
What set design, composition, lighting, character directions, and other stylistic choices are at work in the scene
One thing that adds to this scene is the fact that Count Fersen is not wearing a mask, at the masked ball. This is not something we noticed the first time around, but watching it again, it is hard not to think about why Coppola chose to have Fersen unmasked. It makes Count Fersen stick out from the crowd, perhaps that is why he caught Marie Antoinette's eye.



